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Join Sam Clements and regular guests from across the Picturehouse family, including Corrina Antrobus and producer Luke Smith, as they bring you interviews, reviews and news from cinema land.
Read out exclusive interviews with top talent from the film world.
Discover stunning cinema. Whether it’s a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Classic films back on the big screen where they belong.
Dedicated to bringing you the best in cult and genre films.
Explore the world of cinema with Inside Picturehouse, our magazine programme that comes from a different Picturehouse every month and brings you the movie highlights, cinema news, interviews and ‘behind the scenes’ insights.
Welcome to Spotlight, the place for anyone slightly obsessed with cinema.
The wolves are running in Picturehouse Cinemas this Yuletide.
Ahead of Sunday's screening of The Tale Of Princess Kaguya, we've dug out Adam Smith's Picturehouse Recommends piece from 2014.
Picturehouse Cinemas invites you to enter the magical world of folklore and fairy tales.
Enter the magical world of folklore and fairy tales.
Choreography: Peter Wright after Lev Ivanov
Music: Pyotr Ilyich Tchaikovsky
Conductor: Barry Wordsworth
Christmas is a special ...
Dr Deborah Allison, Senior Programmer and Event Cinema Manager at Picturehouse, introduces the season of folk and fairytale films.
Dr Brian Ray, an assistant professor at the University of Arkansas at Little Rock, on folklore and fairy tales in Tim Burton's much-loved nineties classic.
Dr Ewan Kirkland, who teaches Film & Screen Studies at the University of Brighton, examines how folk and fairytale has inspired modern cinema.
Vic Pratt previews the fairest cartoon fairy tale of them all ahead of December's Vintage Sundays presentation.
Find out why Francesco Stefani's 1957 classic remains the epitome of fairytale delight.
Dr Deborah Allison anticipates a sparkling new digital restoration of Ingmar Bergman's glorious take on Mozart's opera.
Jane Giles lets us know why Neil Jordan's second feature is an endless delight ahead of its Vintage Sundays presentation.
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